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一曲相思未了情简介

导演:查尔斯·维多,乔治·库克

主演:德克·博加德,卡普西尼,吉内瓦维·佩吉

上映年份:1960

地区:美国

更新状态:已完结

《一曲相思未了情》剧情简介

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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一曲相思未了情海报

一曲相思未了情

剧情 音乐 传记 美国 1960 

主演:德克·博加德,卡普西尼,吉内瓦维·佩吉

导演:查尔斯·维多,乔治·库克

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《一曲相思未了情》常见问题

1. 《一曲相思未了情》什么时候上映的?
《一曲相思未了情》于1960年上映,是一部美国的剧情片。
2. 《一曲相思未了情》主要讲了什么故事?
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song
3. 《一曲相思未了情》主演都有谁?
《一曲相思未了情》由德克·博加德,卡普西尼,吉内瓦维·佩吉主演。
4. 《一曲相思未了情》的导演是谁?
《一曲相思未了情》由查尔斯·维多,乔治·库克导演执导。
5. 在哪里可以观看《一曲相思未了情》?
您可以在星辰影视免费观看《一曲相思未了情》,我们提供多个播放源供您选择。
6. 《一曲相思未了情》属于什么类型?
《一曲相思未了情》是一部剧情,音乐,传记类型的剧情片。
7. 《一曲相思未了情》更新情况如何?
目前《一曲相思未了情》的更新状态是:已完结。

剧情介绍

In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.

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